by Stephen Mead
Every Wednesday it has rained since the rainy Wednesday of your death,
those nights, that rain – comfort, comfort – bringing you again.
I fast to this but for fluids, my body’s parched plains thirsty for each teeming bead
& all that hush of shimmering liquid slate.
Consoling, consoling, your touch is in the rain & also your voice.
It is the same with your hands holding my head in the painting I’ve begun,
hands larger than in life, hands representing all the tender ferocity
when I was trying to take pains, easy, easy, for our every second combined.
Hands, arms, I thought I did not have enough of them to catch, to hold,
I with my face just above your knees helping to lift pants,
my face turned up to your beacon face, your eye to mine,
an opening between.
When the rain comes I again enter it or I catch a similar flash
in another’s momentary gaze. I enter it in dreams where you come, a guest
unawares. I wake with details lost but for the superimposition
upon my inner lids of your own features – calm beseeching calm –
& little else in my mind.
That feels just like this rain, the best & better for week after week
of being in the spell even while functioning: an appearance made.
Some suspect the spectre & that the real obsessed self is with you still,
soul to soul. I do not apologize. I accept the events as big for love & losing
are occurrences surely, & when it rains it is we in the poems, the paintings
& there is no longer the loss to hold, to let go of.
Presence: comfort.
Presence: hands.
Shadow, light, shadow is the presence of rain, of we, watercolors washing through
as in life, peace-gleaned, consolation in abundance.
© Stephen Mead
Resident artist/curator for The Chroma Museum, artistic renderings of LGBTQI figures and allies before Stonewall, Stephen Mead is a retiree whom, throughout his employment still found time for creativity. Occasionally he even got paid of this. Currently he is trying to sell his 40-year backlog of unsold art: artworkarchive.com/profile/stephen-mead.
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