When we say perfect day, do we really mean perfect?

Isn’t it like in that old cliché which supposedly says beauty (and perfection) is in the imperfections?

When we asked you on Instagram what is your one-word description of a good day, the words that came up were: serene, reading, adventure, creative, contentment, relaxing, nature, productive… So many different definitions that (we are sure) change daily for each of us.

So, we started thinking about another question that can help your inspiration: what is the one tiny or grand perfection you can find on a normal day, that one joyous kick or spur of motivation, a moment after a hard day that makes you accept the bitter-sweetness and makes you feel like life is alright after all, that might fill you up with sense and meaning or just peace?

Maybe, a perfect day is compiled of moments of being that ground us, reconnect us to ourselves and our humanity. Maybe, just one such moment is enough.

We would love to hear what it all means to you! Send us your submissions for our monthly challenge till next Friday 😉

(Yes, you only have a week left.)

P. S.: We might also accept ironic interpretations of the phrase perfect day. Try us. Those can be the greatest lessons.

Quote of the Week, #6

The systematic looting of language can be recognized by the tendency of its users to forgo its nuanced, complex, mid-wifery properties for menace and subjugation. Oppressive language does more than represent violence; it is violence; does more than represent the limits of knowledge; it limits knowledge. Whether it is obscuring state language or the faux-language of mindless media; whether it is the proud but calcified language of the academy or the commodity driven language of science; whether it is the malign language of law-without-ethics, or language designed for the estrangement of minorities, hiding its racist plunder in its literary cheek – it must be rejected, altered and exposed. It is the language that drinks blood, laps vulnerabilities, tucks its fascist boots under crinolines of respectability and patriotism as it moves relentlessly toward the bottom line and the bottomed-out mind. Sexist language, racist language, theistic language – all are typical of the policing languages of mastery, and cannot, do not permit new knowledge or encourage the mutual exchange of ideas.

[…]

Be it grand or slender, burrowing, blasting, or refusing to sanctify; whether it laughs out loud or is a cry without an alphabet, the choice word, the chosen silence, unmolested language surges toward knowledge, not its destruction. But who does not know of literature banned because it is interrogative; discredited because it is critical; erased because alternate? And how many are outraged by the thought of a self-ravaged tongue?

Word-work is sublime, she thinks, because it is generative; it makes meaning that secures our difference, our human difference – the way in which we are like no other life.

We die. That may be the meaning of life. But we do language. That may be the measure of our lives.

Toni Morrison, Nobel Lecture 1993

Scenery

by Blanka Pillár

I forgive him for the little lies. The little fibs that slip away and the broken promises that go unkept. He always tells the same lies, and sometimes I believe him, because the story paints itself like a vivid oil portrait; first the figures are painted, then the background, then the corners, edges, contours, and finally it becomes as if it were a real scene on the canvas of life, but only the immensity of human imagination has made believable what could never be real. It tells me what I most desire, and so I reach for it with all my heart, stretching out the arms of my soul to preserve all that its lips say, and to hold it within me for eternity. I love him with all my heart, but when my reality is keen-eyed, it sometimes smells like the scratch of jagged-edged infidelities in the dawning dawn or the wistful night. The cold realisation slips into bed beside me, or touches me as I walk.

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Maps

by Erin Mullens

I draw maps on the wall. Maps to nowhere.

Little burned charcoal sticks I pick up

From the remains of the fireplace, scrawling

On the edges of the stone floor underneath

My bed. I slip my body under there, so tiny

And pretend I don’t even exist in the world.

I am not here I am not a person I am not real

And I draw a little map to find a way to another world.

I’ll open a portal under my bed. I’ll escape.

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Quote of the Week, #5

I’ve concluded that bittersweetness is not, as we tend to think, just a momentary feeling or event. It’s also a quiet force, a way of being, a storied tradition—as dramatically overlooked as it is brimming with human potential. It’s an authentic and elevating response to the problem of being alive in a deeply flawed yet stubbornly beautiful world. Most of all, bittersweetness shows us how to respond to pain: by acknowledging it, and attempting to turn it into art, the way the musicians do, or healing, or innovation, or anything else that nourishes the soul.

Susan Cain, Bittersweet: How Sorrow and Longing Make Us Whole

Monthly challenge

I. Amazine Monthly Challenge : Perfect Day

For the first prompt of 2023, we’re starting easy.

How do you picture a day well spent? A day when things feel just right and you’re accompanied by this feeling of being right where you belong? Who do you spend it with? What are you doing? What sounds, tastes and scenes are there that will make you remember it forever? What are you most proud of or grateful for at the end of a day? What was your perfect day when you were a child and how has it changed since? What kind of days do you wish for today?

Tell us everything about the good, the sweet and the ordinary days of your lives and those you still plan to create, or just something the phrase itself might inspire for you. (Yes, we might even accept your interpretation of the Lou Reed’s song with all its bitter-sweetness…)

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Quote of the Week, #4

“It’s easy to do sex, but it’s not easy to do love in whatever form. And if you can’t love, you can’t live, no matter how smart you are: things end up being jangly, hollow, and ultimately worthless. The idea that you just go through life, leaving behind wives and mistresses and abandoned children, and doing great art – for me, that can’t be a way to live. Social responsibility starts with the people who are around you, and you can’t endlessly be discarding things. […] The male push is to actually just discard the planet: all the boys are going off into space. But you know, love is also about cleaning up your mess, staying where you are, working through the issues; it’s not simply romantic love at all.”

Jeanette Winterson in an interview for the Guardian (Claire Armitstead, 25.07.2021)